Yves Klein’s electric blue artworks add a touch of avant-garde to the baroque interiors of Blenheim Palace, England, in an exhibition featuring over 50 of the French artist’s works.
Organised by Blenheim Art Foundation in collaboration with the artist’s estate, Yves Klein at Blenheim Palace explores the concepts of beauty, sensibility and the sublime in the 20th century artist’s works.
Visitors are given the opportunity to experience Klein’s contemporary paintings, sculptures and large-scale installations, juxtaposed against the ornate baroque decor of the UNESCO World Heritage listed eighteenth-century palace.
Situated in Oxfordshire, England, Blenheim Palace was once home to former British Prime Minister Winston Churchill. Now open to the public, the palace has provided a historic backdrop to exhibitions by artists like Ai Weiwei and Jenny Holzer.
French avant-garde artist Klein is known for his love of blue, which led him to register his own vivid ultramarine pigment called IKB (International Klein Blue) in 1960.
This pigment became a significant part of his practice, and it was through the pure blue colour that he attempted to reach the “infinite” and “sublime”.
The exhibition coincides with what would have been the artist’s 90th birthday, and also marks the fifth anniversary of Blenheim Art Foundation.
“We are delighted to mark our fifth year by paying homage to Yves Klein, one of the most significant artists of the 20th century,” said director Michael Frahm.
“Yves Klein’s ideas have been hugely influential on generations of artists and his radical thinking influenced minimal, conceptual and performance art by pushing the boundaries of what art could be.”
“This exhibition celebrates the universal sensibility of Yves Klein’s language and I hope it will touch visitors of all ages with its timeless, enduring and spiritual effect,” he continued.
With over 50 of the artist’s works on display, including a large-scale blue pigment installation and a number of his Monochrome paintings, the exhibition is been billed as the most comprehensive to date in the UK.
Klein’s performative Anthropometry works painted with “living brushes” – models whose bodies were coated in paint and used to make marks onto canvas or paper – hang among the 18th century family portraits of aristocratic subjects in the Red Drawing Room.
His Blue Sponge Sculptures, made from the sponges he painted with, are exhibited in the Saloon beside 12 free-standing Blue Venus sculptures inspired by Classical Greek sculpture, all coated in his signature hue.
The exhibition also sees the artist’s large installation of loose, blue pigment stretched out like a “desert landscape” or a “lunar ground” across the palace’s Great Hall.
Pigment Tables coloured with IKB, gold and pink are displayed in the 3rd State Room, while Relief Portraits of the artist Arman and poet Claude Pascal – Klein’s childhood friends – are on show in the Long Library.
Yves Klein at Blenheim Palace opened to the public on 18 July 2018, and runs until 7 October 2018.
Klein’s blue pigment continues to influence artists and designers around the world. Swedish-Chilean designer Anton Alvarez created a series of tall vessels coated in the vibrant blue tone, and Brussels-based architect Olivier Dweka designed a modernist home inspired by Klein’s paintings.
Dezeen, Natashah Hitti, 26.07.2018: “Yves Klein’s ultramarine artworks animate 18th century interiors of Blenheim Palace”
Photographs is by Tom Lindboe.